Beat Kitchen

live music production community and classes

Instagram Youtube TikTok facebook Bluesky LinkedIn
Visit beatkitchen.io Harmonic Synthesizer additive synth · now on the App Store · free in browser & desktop too Harmony Wheel name any chord you play · browser, iOS & Android, desktop Chordle hear the chord, name it · ear training · free Random Chord Generator roll four chords · hear them · explore on the wheel Tetrachord Construction Kit build any scale from two four-note groups · 65 scales Become a Resident $85/mo · office hours, gyms, events, plugin Upcoming Classes mixing, synths, theory · small groups, live instruction Free Guides & Lessons Logic, mixing, theory · deep dives, not tutorials Join the Discord free community · ask questions, share work Take the Placement Quiz find the right class for your level

Upcoming Events

Included in Residency
What happens in a gym or office hours? →
Full Week Schedule
  • Nathan
    Sun, Oct 4 Theory Gym Start your day at the 'gym' with a morning music theory workout w/ Nathan ·
  • Nathan
    Mon, Oct 5 Weekly Beat Challenge Gather and listen to anyone's Beat Challenge song ideas -- just for fun w/ Nathan ·
  • Nathan
    Mon, Oct 5 Office Hours Ask questions, get help, and connect. w/ Nathan ·
  • Cinnamon
    Mon, Oct 5 Production Gym Start your day at the 'gym' with a production breakdown of your favorite songs w/ Cinnamon ·
  • Nathan
    Tue, Oct 6 Instrument Gym Practice and workout on instruments! w/ Nathan ·
  • Nathan
    Tue, Oct 6 Office Hours Ask questions, get help, and connect. w/ Nathan ·
  • Nathan
    Tue, Oct 6 Ear Training Test your ears and discuss - Music, Mixing and more! w/ Nathan ·
  • Nathan
    Wed, Oct 7 Theory Gym Start your day at the 'gym' with a morning music theory workout w/ Nathan ·
  • Nathan
    Wed, Oct 7 Weekly Beat Challenge Gather and listen to anyone's Beat Challenge song ideas -- just for fun w/ Nathan ·
  • Nathan
    Thu, Oct 8 Office Hours Ask questions, get help, and connect. w/ Nathan ·
What We Covered Recently
  • Nathan Rosenberg
    WEEKLY-BEAT-CHALLENGE Covered bass-line thinking and how to approach bass as an instrument versus emulating it on keys, with a walkthrough of walking bass lines, landing chord tones on strong beats, and directional scale motion. Worked through the caterpillar exercise in depth — shell voicings, third-stacking, and chord substitution — as a framework for building keyboard facility in any key. Also addressed producer perspective: the risks of over-producing familiar material, the limits of metrics-based listening, and how perception shapes what we hear versus what is actually there.
  • Jam Phelps
    OFFICE HOURS Covered a real-world case study in salvaging a poorly recorded garage demo: stem splitting for drum replacement/triggering, cymbal replacement using personal one-shots, re-amping guitars through virtual amps, high-passing for bleed reduction, and heavy vocal processing including noise removal, tuning, saturation, and slap-back delay. Also discussed audio delivery formats (bit depth, streaming platform requirements), Reaper workflow tips for cross-project plugin copying, mastering consistency across singles and albums, drum programming philosophy for producers, and drum fill construction for non-drummers.
  • Nathan Rosenberg
    WEEKLY-BEAT-CHALLENGE Reviewed several pieces submitted to the Beat Challenge folder, including works by Christian and Angela, with discussion of chord voicings and song structure. Also heard a work-in-progress song featuring vocals, live instrumentation, and MIDI horn tracks in development. Much of the session involved troubleshooting audio playback issues with uploaded files before pieces could be evaluated.
  • Jam Phelps
    PRODUCTION-GYM Worked through a sim mastering session on one of Josephine's productions ("Endlessness"), covering the full workflow from initial gain staging to click removal, drum bus compression, and kick/bass frequency balancing. Also opened the session with reference track listening — analyzing production choices, arrangement credits, and recording technique on a contemporary track.
  • Nathan Rosenberg
    THEORY-GYM We used "Our House" by Madness as a lens for analyzing a single recurring chord progression — one chord, one minor five, one minor two, one minor four — and examined how the band built an entire multi-section song from it. We also listened to a second track as a comparison piece, tracing similar techniques: modal borrowing, distant modulations, and fragmentary quoting of familiar progressions broken before resolution.
beatkitchen.io