N6: major minor happy sad
Letâs do away with the notion that all major chords are bright and happy and all minor chords are dark and sad.
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New students come in to me with their eyes all in glitter thinking about gear and gear is great But letâs level set for a second because aside from you and your instruments The only thing in your entire studio that makes a sound is your monitors and every decision you make comes through that lens This video is not so much for the rest of the video; itâs not so much for the rest of the
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Letâs do away with the notion that all major chords are bright and happy and all minor chords are dark and sad.
I canât believe Iâm saying this.
Not every A minor chord looks like an A minor.
I think itâs time we talked about your fader.
Welcome to todayâs first and possibly only episode of Stupid Logic Tricks, where I share things I almost never need to do, but Iâm glad I know how to.
Itâs only a matter of time before youâre humbled by someone with far less resources than you creating at a very high level.
All right, you want a tip find two quick ways to find stuff in logic.
This might be the easiest complicated chord progression youâll ever learn.
Donât assume that just because you start off in a minor key, that you have to end up in one.
You can try, but you canât really separate frequency from level.
Learn to record your own vocals or somebody elseâs because regardless of whether or not youâre making vocal-based music I canât think of a better way âŚ
This is a chord progression you might hear on a Sunday.