Like most things, fixing a subtle clash in logic is pretty much the same as it was in Ableton. I’m playing this line and there’s something I don’t like, but I don’t want to lose it. So we’re going to capture it.
And so now the goal is to superimpose the melody over the chords and find the problem. So we select them both, and to make our job easier we’re going to view notes by region color. Now the chords are brown and the melody is green.
Shift option arrow will transpose the melody down into the octave of the chords, and hopefully we can see the problem. Yeah, this one’s pretty subtle, but what? It bothered me.
And that’s what it’s all about, right? Because only you get to decide what’s a clash and what isn’t. Helping you to train your ear and do something about it.
Well, that’s our job.
