One simple way to approach a V chord when you’re looking at a 2-5-1 progression is to think of it like a suspended chord. In the key of C, we’re going to play this V chord one step above its root. So we’re effectively playing an A minor 7 over a G.
This 11 will just resolve to a third. It’s a one finger resolution. This chord shape makes 2-5-1 progressions and particularly chromatic ones like this.
nearly effortless and it sounds awesome.
