Mic Polar Patterns
Today we’re going to look at microphone polar patterns.
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Today we’re going to look at microphone polar patterns.
One simple way to approach a V chord when you’re looking at a 2-5-1 progression is to think of it like a suspended chord.
Today we’re gonna build something.
A compressor can add dynamics, reduce them, reshape attack, or extend sustain. Those are different jobs. Use one with intention, not by default.
If you can't name the problem compression is solving, you won't recognize when it's working. Start with the symptom, not the plugin.
Mic'ing an instrument from behind softens the attack and captures a rounder tone. Works on upright piano, cymbals, violin, and more.
Radical EQ curves with steep peaks and cuts usually signal a problem upstream. Use broad strokes first, surgical moves only when needed.
An Fdim7 chord spells F Ab Cb Ebb, not F Ab B D. The enharmonic spelling preserves the stacked-thirds structure that defines how chords work.
Recording usually sounds better after a song has been played and shared enough to develop its own character. Give it time before you produce.