Relying on Luck
If you know someone who’s making cool beats but they’re still adjusting stuff by ear, getting things sounding good without entirely understanding what …
Content from our social media — music theory, songwriting, engineering, mixing, synthesis, and more — collected in one place. If you saw something on our page and want to find it again, it's here. Read it, search it, share it.
Showing 12 of 611 articles (Page 36 of 51)
If you know someone who’s making cool beats but they’re still adjusting stuff by ear, getting things sounding good without entirely understanding what …
I didn’t make something clear when I said the difference for me in moving from tape to digital was in that pause when you had to rewind after you did …
A music production environment is a complex one.
For me, the most impactful part of the move from tape to digital wasn’t the sound quality.
Taking a break isn’t just critical for your body and your mind, but also your spirit.
Distortion comes in lots of flavors, but one thing they all share is that distortion adds high frequency content to your program material.
A sawtooth wave, a mod wheel, and the space between equal and just tuning. The harmonic synthesizer crossfades between temperaments so intervals drift …
What started as a way to visualize the harmonic series turned into a harmony-aware additive synthesizer. It folds overtones across octaves, tracks …
I had the most delightful realization today, which is this.
Learn to record your own vocals or somebody else’s because regardless of whether or not you’re making vocal-based music I can’t think of a better way …
Music has rules, but the thing is, you get to write them yourself.
I think I know a lot about music and I consider myself a pretty decent engineer and producer.