Color Tones: suspended two diatonic bridges
One thing most pianists understand intuitively is that you can freely fill the gap between the bottom two notes of any root position triad, as long as …
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Showing 12 of 610 articles (Page 6 of 51)
N6: major minor happy sad
Let’s do away with the notion that all major chords are bright and happy and all minor chords are dark and sad.
Scaffolding: extensions and rootless voicings
Not every A minor chord looks like an A minor.
Music Exists to Remind Us We Are Alive
Let this serve as your friendly reminder that music exists to remind you that you are alive now go listen to some .
Orchestral Kitchen: soup in a can
It’s only a matter of time before you’re humbled by someone with far less resources than you creating at a very high level.
Two Ways to Find Stuff in Logic
All right, you want a tip find two quick ways to find stuff in logic.
Rootless Shell: simplest complicated chord progression
This might be the easiest complicated chord progression you’ll ever learn.
Major Key Don't Assume: picardy third
Don’t assume that just because you start off in a minor key, that you have to end up in one.
Dynamics and EQ: connected
You can try, but you can’t really separate frequency from level.
Signal Flow in Your DAW
Annotated DAW mixer diagram showing serial and parallel signal flow — sends, buses, groups, and stereo output routing explained.
Dominant Diminished Suspensions: chords for a sunday
A gospel-flavored chord progression using dominant, diminished, and suspended chords — how the tension and resolution cycle creates that Sunday …
Form: Music Theory Run-On Sentence
Even if you learn some music theory, you can still write ridiculously long, run-on sentences if that's your thing.
