Major Key Don't Assume: picardy third
Don’t assume that just because you start off in a minor key, that you have to end up in one.
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Don’t assume that just because you start off in a minor key, that you have to end up in one.
You can try, but you can’t really separate frequency from level.
This is a chord progression you might hear on a Sunday.
Here’s a C suspended chord, but let’s see if we can’t get you playing some hipper ones, like a D minor over a C or a D minor 7 over a C.
There’s an order of operations I prefer when announcing a new take.
One of the things that’s foundational about blues harmony is that you’ll often hear a major chord swapped out for a minor one.
You probably won’t hear the difference between these microphones.
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Being unobjectionable doesn’t really sound like a compliment, but there is a beautiful ambiguity to a suspended chord that makes it fit in pretty much …
Here’s a little tip to help you find your way around a synthesizer.
If you’re looking for a simple chord, one that sounds expensive, one that you’ll keep coming back to, look no further than this one.
(piano notes) You don’t need to know anything to get better at ear draining, and you can know a lot.