Just the Two of Us: Chord Review
So the song "Just the Two of Us" has a lot of opportunity for things like passing chords.
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Jack Nietzsche used to say, "Reverb is like garlic." You can never have too much.
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So the song "Just the Two of Us" has a lot of opportunity for things like passing chords.
There’s sort of a secret reason engineers use pop filters.
I bought this Fender Rhodes in 1991 for $265.
These voicings for fast car feature a natural third as well as a suspended fourth in the same chord.
When you play most chords, what you’re getting is a blend.
Sometimes the name of a thing will tell you what’s inside of it.
I’m regarded as a producer who can capture a great vocal performance and get a great vocal tone.
Logic doesn’t have a straightforward way to apply an LFO across a bunch of parameters.
I’m probably not like you.
A producer today is like an island and to me nothing epitomizes that more than the topic of automation.
We had a lot of fun in Music Theory Gym today.
Every chord has a parent and a child, and every chord is a parent and a child.