Your Cable Wrapping Game
It’s time I showed you how to wrap a cable.
Welcome to our comprehensive library of music production articles. From music theory foundations and advanced production methodologies to audio engineering concepts, creative tips, and industry insights—discover the wide range of knowledge that fuels great music production.
There’s one thing that separates veteran producers and engineers from newcomers, and that thing is understanding signal flow.
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It’s time I showed you how to wrap a cable.
This cable goes one way.
Last night, I lay awake thinking about scales and modes so you don’t have to.
We think of scales as being linear, but a scale exists within the boundary of an octave, at which point it just repeats.
(beep) - What’s happening here might not be exactly what you think.
There are vocalists out there that will never ever give you a good performance in headphones, but even seasoned vocalists sometimes have a hard time …
Here I am at the beach.
Did you notice I’ve posted every day for the last 150 days?
Let me simplify chords for you a little bit by telling you that on the piano there are only four augmented chords.
Before we begin to discuss delay, echo, and reverb, let’s take a second to talk about the Haas effect.
What makes a great melody?
When dialing in an equalizer, it’s helpful to think of the workflow is happening in two stages a targeting step and an adjustment step.