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Beat Building Jam

Tactical training. A new beat, a new instructor, live each week.

Prerequisites: DAW Core Skills or equivalent proficiency in your platform.

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What students say

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I’ve been a student at Nathan’s audio engineering school - Beat Kitchen, for seven months, and the experience has been invaluable. Coming back to music after years focused on family and business, I wanted a learning environment that was

—Lotus, Bali

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One of a kind. Precious and deeply conscious teaching and learning exchange. Recommended to all who wonder about the mysteries of the universe <3

—Alix, Berlin, Germany

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Nathan is one of the great few teachers that care. As a graduate of a prestigious music school, I was whisked through a massive amount of knowledge, with many teachers. None of them stood up to parr as Nathan does, simply due to the quality and dedication he takes into account when explaining even the simplest of concepts. Amazing.

—Maxwell, Reno, NV

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I took the Harmony & Acoustics workshop with Nathan Rosenberg. I was literally on the edge of my seat waiting for the information to hit my ears. Nathan teaches with an earnest tone and walks with humility in sharing his knowledge and passion for music. It’s insane how my mind was blown. Thank you again.

—Sera, Manhattan, NY

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Recently took a couple of classes - Effects, Synthesis and Mixing primer and the Beat Building Jam. Both classes were really good. Ended up learning a lot of basics of how sound design and shaping works in the first one and a bunch of

—Hardik, Seattle, WA

Explore Classes

Office Hours Weekly. Ask questions, get help, and connect. Included with residency. Production Gym Weekly. Production breakdown of your favorite songs. Included with residency. Theory Gym Weekly. Morning music theory workout. Included with residency. Ear Training Weekly. Test your ears and discuss — music, mixing, and more. Included with residency. Instrument Gym Weekly. Practice and workout on instruments. Included with residency. Weekly Beat Review Weekly. Listen to Beat Challenge song ideas together. Included with residency.

Logic Pro X Core Live Logic Pro course in small groups — navigation, recording, editing, signal flow, and production workflow with a real … Ableton Core Live Ableton course in small groups — learn navigation, recording, effects, synthesis, mixing, and automation with a … Pro Tools Core Master Pro Tools, the industry standard DAW for recording and production. Learn essential operations, workflow, signal … FL Studio Core Master FL Studio with expert instruction. Learn navigation, workflow, MIDI programming, loop building, session …

Music Theory Learn fundamental musician skills including music theory, performance basics, and foundational concepts essential for … Mixing and Synthesis Tools Live course covering EQ, compression, reverb, delay, subtractive synthesis, gain staging, signal chain, and mastering — … Hardware & Recording Live recording course: microphones, audio interfaces, studio acoustics, stereo technique, and session workflow — …

Logic Pro 1-Day Intensive Full-day Logic Pro workshop for producers. Master navigation, recording workflow, editing, signal flow, and session … Ableton 1-Day Intensive THE TEN CHORDS WORKSHOP Master chord function and write instantly better music in one day. Unlock advanced harmony using the 10-Chord Toolkit … Orchestral 1-Day Intensive

Electronic Music Kitchen Master electronic music production fundamentals. Learn trance, bass music, EDM composition techniques, MIDI programming, … Hip Hop Kitchen Learn to create unique hip hop beats with professional structure, sound design, and mixing techniques. Master looping, … Orchestral Kitchen Master orchestral production techniques including articulation, arrangement, and realistic programming for brass, … Session Player Kitchen Learn professional session player techniques and realistic instrument programming. Master drums, guitars, bass … Vocal Kitchen Learn professional vocal recording, production, and processing techniques. Master microphone placement, vocal chains, …

Beat Building Jam Workshop ideas into songs. Peer feedback. Instructor support. Prep for production

Mix Incubator Your lab for carrying a track across the finish line — the forcing function that turns a produced or recorded song into … Production Incubator Your lab for turning a song into a finished production — the forcing function that leaves you with a track ready for the … Recording Incubator Your lab for capturing real performances of your song — the forcing function that leaves you with recordings ready for … Songwriting Incubator Your lab for getting a song started and out the door — the forcing function that leaves you with a draft ready for the …

Mixing & Mixcraft Advanced live mixing course: parallel compression, sidechain, vocal chains, drum mixing, stereo imaging, automation, and … Recording Studio Masterclass Hands-on recording studio masterclass with professional equipment. Learn large format consoles, studio etiquette, and … Songwriter Masterclass Master songwriting techniques with professional composers. Learn melody writing, chord progressions, song structure, … Synthesist Masterclass Advanced synthesis masterclass covering wavetable, granular, FM synthesis, and sound design. Learn professional …

Beat Kitchen At-A-Glance

Beat Ktichen Calendar

See the full calendar
Recent Resident Gyms
- WEEKLY-BEAT-CHALLENGE: Reviewed two student beats this week — one from Mark and one from John — with feedback focused on drum programming vocabulary, section development, and how drum parts can drive arrangement evolution. Also demoed a custom-sampled piano instrument built from Nathan's own studio piano, discussing its architecture, velocity layering, neighbor-swapping for machine-gun prevention, and a Claude-assisted EXS mapping workflow.
- OFFICE HOURS: Worked through a chord analysis discovery on Paul Simon's "Still Crazy After All These Years," demonstrating that the chord widely charted as a half-diminished chord is actually a minor sixth chord — verified by splitting stems and identifying a C-sharp in the piano part. Also covered setting up multiple audio interfaces simultaneously on Mac using Audio MIDI Setup and Aggregate Devices. A question about sampling permissions and copyright came up, with practical discussion of how to handle dialogue samples from broadcast media.
- THEORY-GYM: We worked through the harmony of Paul Simon's "Still Crazy After All These Years," using it as a vehicle for exploring gospel and churchy chord voicings, figured bass notation, diminished chord function, modal interchange, and chromatic bass motion. Topics included the cadential 6-4, common-tone diminished chords, suspended chords (including the "super sus" voicing), and chromatic bass lines moving through borrowed chords to pivot between keys. The bridge was identified as particularly complex and was not fully analyzed in the available time.
- THEORY-GYM: We worked through the chord progressions of "Black Hole Sun" (Soundgarden) to examine how notoriously unusual chords function in context. Key topics included major/minor ambiguity, polychords, anchor notes in melody, tritone substitutions, and modal interchange — using the song as a vehicle to explain how these devices operate whether or not the songwriter named them. We also touched briefly on how power chords (open fifths) reveal harmonic structure by removing the third from the equation.
- THEORY-GYM: Worked through the chord changes to "Sweet Lorraine" (B♭ jazz standard), mapping the full A-section progression and identifying the harmonic devices that create its characteristic chromatic motion — including secondary dominants, tritone substitutions, diminished passing chords, and the use of the iii chord as a stand-in for the I. Also addressed left-hand piano voicing technique: how shells (thirds and sevenths), tenths, and the "drop assassination" vs. "sneak attack" approach connect directly to the voice leading inside those changes.
- WEEKLY-BEAT-CHALLENGE: Reviewed a hip-hop track built around stutter edits and an Aretha Franklin piano sample, with discussion of lo-fi authenticity, kitsch production aesthetics, and how to commit to a retro sound without tipping into parody. Explored stutter-editing techniques in Logic Pro — including the Beat Breaker plugin and manual cut-based approaches — and compared them to a buffer override plugin used by one of the students. Also searched Logic Pro's legacy instrument library for a Farfisa organ sound to illustrate a tonal direction for a separate piece in progress.
- OFFICE HOURS: Covered lead sheet and chart-writing fundamentals — including form notation, repeat signs, segno/coda navigation, and fitting a full arrangement onto a single page — using a Michelle (Beatles/jazz standard) chart as a worked example. Discussed drum kit curation workflows in Logic Pro, specifically how to audition and assemble multiple kits before committing sounds to Drum Machine Designer. Also ran a live vocal review session, listening for pitch offenses in two harmony parts drawn from a live dress rehearsal recording.
- WEEKLY-BEAT-CHALLENGE: Covered guitar reverb gating techniques, including sidechaining and region-based approaches for controlling reverb tails in performance and post-production contexts. Worked through Logic Pro flex pitch and audio quantization workflows, with a focus on how to isolate regions before applying flex to avoid unintended timing drift. Also examined the lead sheet for the Beatles' "Michelle" — its chord content, key ambiguity, and the form notation (D.S. al Coda, repeat signs, segno) required to navigate it on a single page.
- OFFICE HOURS: Worked through a song revision with Christian, focusing on song structure, melodic differentiation between sections, harmonic rhythm, and the "cotter pin" problem — the moment where a pre-chorus and chorus share nearly identical chord progressions and melodic contours, making the transition between them feel stagnant rather than like a lift. Also covered a Logic Pro SMPTE-lock technique for safely halving tempo without displacing regions, and addressed a mixer visibility bug.
- THEORY-GYM: We explored the jazz "real book" tradition — the corpus of standards, show tunes, and select pop songs that jazz musicians have historically drawn from — and examined why certain non-jazz songs earn a place in that lexicon. Using Michelle (Beatles), Yesterday (Beatles), and a Stevie Wonder song as case studies, we analyzed what harmonic features make a song attractive to jazz interpretation: four-note chord voicings, two-five-one progressions, stand-ins and substitutions for the five chord, and the absence of a dominant chorus structure. We also walked through how to read a lead sheet, including repeat signs, codas, and D.S. al Coda navigation.
Learn more about Residency
Upcoming Resident Events
- Production Gym: Scott Hampton
  Oct. 27,
- Office Hours: Kallie
  Oct. 27,
- Instrument Gym: Kallie
  Oct. 27,
- Ear Training: Jam
  Oct. 28,
- Weekly Beat Challenge: Nathan
  Oct. 28,
- Office Hours: Nathan
  Oct. 29,
Learn more about Residency
Upcoming Courses
- Nov 7, 2026 Logic Pro 1-Day Intensive
- Nov 10, 2026 Mixing: Effects, Synths & Tools
- Nov 18, 2026 Mix Incubator
- Nov 25, 2026 Production Incubator
- Nov 29, 2026 Mixing: Effects, Synths & Tools
- Jan 5, 2027 Recording Incubator
- Jan 19, 2027 Synthesist
- Jan 27, 2027 Vocal Kitchen
See All Courses
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