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Electronic Music Kitchen

The production techniques behind electronic music

Kitchens are where producers get their hands dirty — building tracks from scratch in a genre-focused environment. This one covers the compositional and production techniques that define electronic music across styles: house, bass music, techno, trance, and everything adjacent.

10 chapters of ground covered

The genre landscape — what distinguishes different electronic styles and how production choices define them
Drum design and programming — building kits from scratch, programming grooves, and the rhythmic patterns that drive each genre
Bass design and the low end — synthesis techniques for bass, sub management, and making low frequencies translate across systems
Sampling — chopping, processing, and integrating samples into electronic productions
Sound selection and layering — combining elements so they reinforce each other instead of fighting for space
Arrangement and energy management — the arc of an electronic track, builds, drops, breakdowns, and how to sustain interest over 5+ minutes
Automation and mixing for electronic music — sidechain processing, filtering, and the movement that keeps a track alive
From loop to track — getting past the 8-bar loop and finishing songs

Prerequisites: DAW Core Skills or equivalent proficiency in your platform.

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What students say

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Just finished a Workshop about music theory with Nathan, and all I can say is he really opened my eyes and mind about it and makes me want to know more. I will definitely be looking into some of the classes to further my education in this

—Mercedes, Denver, CO

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I’ve been a student at Nathan’s audio engineering school - Beat Kitchen, for seven months, and the experience has been invaluable. Coming back to music after years focused on family and business, I wanted a learning environment that was

—Lotus, Bali

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Lots of foundational and important information happens in this class. For producers this class is a MUST, for artists its a PRIORITY and for theorists its a MOST DEFINITELY. You will leave the class with something no matter how skilled of a

—ivan, New York, NY

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Had an amazing time at the workshop! Nathan is really passionate teaching and talking with others. Really recommend taking their classes.

—Anthony, New York, NY

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Awesome interactive/ accessable class, Nathan really cares and has a great way of teaching.

—Em, Portland, OR

Explore Classes

Office Hours Weekly. Ask questions, get help, and connect. Included with residency. Production Gym Weekly. Production breakdown of your favorite songs. Included with residency. Theory Gym Weekly. Morning music theory workout. Included with residency. Ear Training Weekly. Test your ears and discuss — music, mixing, and more. Included with residency. Instrument Gym Weekly. Practice and workout on instruments. Included with residency. Weekly Beat Review Weekly. Listen to Beat Challenge song ideas together. Included with residency.

Logic Pro X Core Live Logic Pro course in small groups — navigation, recording, editing, signal flow, and production workflow with a real … Ableton Core Live Ableton course in small groups — learn navigation, recording, effects, synthesis, mixing, and automation with a … Pro Tools Core Master Pro Tools, the industry standard DAW for recording and production. Learn essential operations, workflow, signal … FL Studio Core Master FL Studio with expert instruction. Learn navigation, workflow, MIDI programming, loop building, session …

Music Theory Learn fundamental musician skills including music theory, performance basics, and foundational concepts essential for … Mixing and Synthesis Tools Live course covering EQ, compression, reverb, delay, subtractive synthesis, gain staging, signal chain, and mastering — … Hardware & Recording Live recording course: microphones, audio interfaces, studio acoustics, stereo technique, and session workflow — …

Logic Pro 1-Day Intensive Full-day Logic Pro workshop for producers. Master navigation, recording workflow, editing, signal flow, and session … Ableton 1-Day Intensive THE TEN CHORDS WORKSHOP Master chord function and write instantly better music in one day. Unlock advanced harmony using the 10-Chord Toolkit … Orchestral 1-Day Intensive

Electronic Music Kitchen Master electronic music production fundamentals. Learn trance, bass music, EDM composition techniques, MIDI programming, …

Hip Hop Kitchen Learn to create unique hip hop beats with professional structure, sound design, and mixing techniques. Master looping, … Orchestral Kitchen Master orchestral production techniques including articulation, arrangement, and realistic programming for brass, … Session Player Kitchen Learn professional session player techniques and realistic instrument programming. Master drums, guitars, bass … Vocal Kitchen Learn professional vocal recording, production, and processing techniques. Master microphone placement, vocal chains, …

Beat Building Jam Workshop ideas into songs. Peer feedback. Instructor support. Prep for production Mix Incubator Your lab for carrying a track across the finish line — the forcing function that turns a produced or recorded song into … Production Incubator Your lab for turning a song into a finished production — the forcing function that leaves you with a track ready for the … Recording Incubator Your lab for capturing real performances of your song — the forcing function that leaves you with recordings ready for … Songwriting Incubator Your lab for getting a song started and out the door — the forcing function that leaves you with a draft ready for the …

Mixing & Mixcraft Advanced live mixing course: parallel compression, sidechain, vocal chains, drum mixing, stereo imaging, automation, and … Recording Studio Masterclass Hands-on recording studio masterclass with professional equipment. Learn large format consoles, studio etiquette, and … Songwriter Masterclass Master songwriting techniques with professional composers. Learn melody writing, chord progressions, song structure, … Synthesist Masterclass Advanced synthesis masterclass covering wavetable, granular, FM synthesis, and sound design. Learn professional …

Beat Kitchen At-A-Glance

Beat Ktichen Calendar

See the full calendar
Recent Resident Gyms
- WEEKLY-BEAT-CHALLENGE: Reviewed a hip-hop track built around stutter edits and an Aretha Franklin piano sample, with discussion of lo-fi authenticity, kitsch production aesthetics, and how to commit to a retro sound without tipping into parody. Explored stutter-editing techniques in Logic Pro — including the Beat Breaker plugin and manual cut-based approaches — and compared them to a buffer override plugin used by one of the students. Also searched Logic Pro's legacy instrument library for a Farfisa organ sound to illustrate a tonal direction for a separate piece in progress.
- OFFICE HOURS: Covered lead sheet and chart-writing fundamentals — including form notation, repeat signs, segno/coda navigation, and fitting a full arrangement onto a single page — using a Michelle (Beatles/jazz standard) chart as a worked example. Discussed drum kit curation workflows in Logic Pro, specifically how to audition and assemble multiple kits before committing sounds to Drum Machine Designer. Also ran a live vocal review session, listening for pitch offenses in two harmony parts drawn from a live dress rehearsal recording.
- WEEKLY-BEAT-CHALLENGE: Covered guitar reverb gating techniques, including sidechaining and region-based approaches for controlling reverb tails in performance and post-production contexts. Worked through Logic Pro flex pitch and audio quantization workflows, with a focus on how to isolate regions before applying flex to avoid unintended timing drift. Also examined the lead sheet for the Beatles' "Michelle" — its chord content, key ambiguity, and the form notation (D.S. al Coda, repeat signs, segno) required to navigate it on a single page.
- OFFICE HOURS: Worked through a song revision with Christian, focusing on song structure, melodic differentiation between sections, harmonic rhythm, and the "cotter pin" problem — the moment where a pre-chorus and chorus share nearly identical chord progressions and melodic contours, making the transition between them feel stagnant rather than like a lift. Also covered a Logic Pro SMPTE-lock technique for safely halving tempo without displacing regions, and addressed a mixer visibility bug.
- THEORY-GYM: We explored the jazz "real book" tradition — the corpus of standards, show tunes, and select pop songs that jazz musicians have historically drawn from — and examined why certain non-jazz songs earn a place in that lexicon. Using Michelle (Beatles), Yesterday (Beatles), and a Stevie Wonder song as case studies, we analyzed what harmonic features make a song attractive to jazz interpretation: four-note chord voicings, two-five-one progressions, stand-ins and substitutions for the five chord, and the absence of a dominant chorus structure. We also walked through how to read a lead sheet, including repeat signs, codas, and D.S. al Coda navigation.
- OFFICE HOURS: Worked through a live demo build of a custom synthesizer instrument, exploring string partial modeling, formant locking, and granular playback modes. Covered the acoustics of formants — how resonant peaks define vowel sounds and how locking formants enables pitch-independent vowel shaping. Also explored routing limitations when combining live audio input, sample playback, and the vocoder-style excitation path, identifying a specific bypass architecture needed to resolve the conflict.
- WEEKLY-BEAT-CHALLENGE: Reviewed submitted beats from multiple students, including pieces by Paul and John, and spent extended time on detailed feedback for Josephine's track. Also demonstrated formant shifting using a custom-built plugin called Harmonic, walking through how formant sculpting and spectral shifting work in practice.
- WEEKLY-BEAT-CHALLENGE: Covered bass-line thinking and how to approach bass as an instrument versus emulating it on keys, with a walkthrough of walking bass lines, landing chord tones on strong beats, and directional scale motion. Worked through the caterpillar exercise in depth — shell voicings, third-stacking, and chord substitution — as a framework for building keyboard facility in any key. Also addressed producer perspective: the risks of over-producing familiar material, the limits of metrics-based listening, and how perception shapes what we hear versus what is actually there.
- OFFICE HOURS: Covered a real-world case study in salvaging a poorly recorded garage demo: stem splitting for drum replacement/triggering, cymbal replacement using personal one-shots, re-amping guitars through virtual amps, high-passing for bleed reduction, and heavy vocal processing including noise removal, tuning, saturation, and slap-back delay. Also discussed audio delivery formats (bit depth, streaming platform requirements), Reaper workflow tips for cross-project plugin copying, mastering consistency across singles and albums, drum programming philosophy for producers, and drum fill construction for non-drummers.
- WEEKLY-BEAT-CHALLENGE: Reviewed several pieces submitted to the Beat Challenge folder, including works by Christian and Angela, with discussion of chord voicings and song structure. Also heard a work-in-progress song featuring vocals, live instrumentation, and MIDI horn tracks in development. Much of the session involved troubleshooting audio playback issues with uploaded files before pieces could be evaluated.
Learn more about Residency
Upcoming Resident Events
- Theory Gym: Nathan
  Oct. 18,
- Weekly Beat Challenge: Nathan
  Oct. 19,
- Office Hours: Scott Hampton
  Oct. 19,
- Instrument Gym: Jon Mattox
  Oct. 19,
- Theory Gym: Nathan
  Oct. 20,
- Office Hours: Nathan
  Oct. 20,
Learn more about Residency
Upcoming Courses
- Apr 27, 2026 DAW Core Skills
- May 23, 2026 Logic Pro 1-Day Intensive
- Jun 8, 2026 Mixing: Effects, Synths & Tools
- Jun 10, 2026 Hardware & Recording Primer
- Jul 8, 2026 Hardware & Recording Primer
- Jul 12, 2026 DAW Core Skills
- Jul 12, 2026 Theory: Musician Basics
- Jul 15, 2026 FL Studio
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