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Session Player Kitchen

What does it take to be a professional musician? First, learn to program like one

In this course you will learn to make your programmed instruments sound like they were played by human hands. To this end, your instructor will show what is expected of a session player, and what tools and techniques you will need to record a perfect take every time. Learn how to communicate with engineers and artists to save yourself unnecessary time and frustration.

In this course you will learn to make your programmed instruments sound like they were played by human hands. To this end, your instructor will show what is expected of a session player, and what tools and techniques you will need to record a perfect take every time. Learn how to communicate with engineers and artists to save yourself unnecessary time and frustration.

Only then can you approach programming these instruments in a realistic manner.

Key Topics

Communication/Vocabulary
Drums
Drum Programming
Fills
Understanding Stringed Instruments
Programming Guitars and Bass
Expression
Rhythm Section
Mixing Considerations

Prerequisites: DAW Core Skills or equivalent proficiency in your platform.

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What students say

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Incredible value in every class. It’s a super fun and engaging way to learn, with excellent instructors and a supportive community. Can’t recommend Beat Kitchen enough if you want to learn any aspect of music production!

—Johanna, Toronto, Canada

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One of the greatest, most fun classes I have taken. They open my mind to the possibilities of music

—Alex, San Marcos, CA

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Nathan is Very knowledgeable and passionate about music. he has a ton of experience as an engineer and producer he plays piano and understands all the notes logic pro that is what i will be doing next. .looking forward to the classes

—Don, Vancouver, BC

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The class dynamic of instruction is extraordinary for beginners and experienced people within music. The classes are small and the interaction between students and the instructor is great. You get to ask as many questions as you like and

—Mercedes, San Jose, CA

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Great resource! Super friendly! I’ll continue to check out Beat Kitchen offerings.

—Sam, Los Angeles, CA

Explore Classes

Office Hours Weekly. Ask questions, get help, and connect. Included with residency. Production Gym Weekly. Production breakdown of your favorite songs. Included with residency. Theory Gym Weekly. Morning music theory workout. Included with residency. Ear Training Weekly. Test your ears and discuss — music, mixing, and more. Included with residency. Instrument Gym Weekly. Practice and workout on instruments. Included with residency. Weekly Beat Review Weekly. Listen to Beat Challenge song ideas together. Included with residency.

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Beat Kitchen At-A-Glance

Beat Ktichen Calendar

See the full calendar
Recent Resident Gyms
- PRODUCTION-GYM: We used Tom Petty's *Wildflowers* as a production study, comparing the original home demo recordings to the final album to explore what restraint and omission look like as intentional production choices. The central question was: when a song arrives nearly fully formed, what is the producer's job — and why did they choose to leave certain things out? We also touched on the folk and blues traditions of shared musical vocabulary, the placeholder nature of demo sections, and the producer's role in helping an artist gain objectivity on their own work.
- PRODUCTION-GYM: We did a deep-dive breakdown of "Born Under Punches (The Heat Goes On)" by Talking Heads, from the 1980 album *Remain in Light*, using Logic Pro's AI stem splitter to pull apart the drums, bass, and "other" elements. The session traced the song's Afrobeat DNA through Fela Kuti and James Brown, examined how the album was recorded (live jamming in the Caribbean, vocals overdubbed separately at Sigma Sound Studios in New York), and used the track as a jumping-off point for discussions about genre, rhythmic feel, copyright, and the creative value of loose, imprecise playing.
- EAR-TRAINING-GYM: We worked through a series of ear training exercises covering chord identification (including interval isolation, inversions, and dissonance), tempo recognition, DI vs. amp source identification, LFO waveform recognition by ear, and EQ analysis — specifically distinguishing a high shelf from a high-pass/low-pass cut and estimating its frequency and depth. The through-line across all exercises was the same core skill: isolating individual elements from a complex sound and naming them with increasing precision.
- THEORY-GYM: We took a deep dive into David Bowie's "Ashes to Ashes" (from *Scary Monsters*, 1980), tracing the song's unusual harmonic journey across multiple tonal centers — A-flat, B-flat, D-flat, and beyond. Rather than a single-key analysis, we mapped out the song's distinct vignettes, each with its own harmonic logic, and examined how Bowie's asymmetric phrasing, modal interchange, and tendency to lead with lyric over convention makes the song almost impossible to fake. We also touched on Tony Visconti's production approach and the value of combining active listening with formal harmonic analysis.
- OFFICE HOURS: We talked about how some things work on Dischord, to help Christian get his bearings being new here. We talked about what kinds of things are covered in office hours, and instrument gyms.
- WEEKLY-BEAT-CHALLENGE: We reviewed a handful of submitted beats this morning, with conversations ranging from the mechanics of guitar string maintenance to some genuinely deep territory around creative process, objectivity, and why the Beat Challenge works the way it does. Central themes included the danger of over-familiarizing yourself with your own work, the liberating power of removing naming pressure from your pieces, and the idea that making music is closer to journaling than to monument-building — a snapshot of who you were, not a permanent statement of who you are.
- THEORY-GYM: Breakdown of the Beatles' She's Leaving Home. Use of B Dorian, implication of different chords and cadences compared to B minor. Use of tension chords- Dominant 7th, Diminished and Sus chords. Analysis of chord and scale tones used in melody.
- EAR-TRAINING-GYM: This morning's gym was a keyboard practice exercise that focused on both the drop to voicing and the Barry. Harris diminished bebop scale system. This not only reinforces harmonic thinking within every scale, but cord identification and finger dexterity.
- THEORY-GYM: We explored Strawberry Fields Forever as a deep-dive analysis piece, working through its psychedelic production choices, unusual metric structure, and striking harmonic language — including line clichés, modal interchange, chromatic mediants, chord inversions, and figured bass. I also gave a live walkthrough of the Harmonic Synth tool, demonstrating how it visualizes the harmonic series, partials-based synthesis, and harmonic-aware tuning systems as a companion lens to the theory work.
- PRODUCTION-GYM: Production breakdown of Bjork's Army of Me. History of the the Led Zeppelin "Levee Break" drum sample used, analysis of synth sounds, use of Locrian mode, use of chromatic samples in riff.
Learn more about Residency
Upcoming Resident Events
- Production Gym: Nathan
  Apr. 09, 5am (PT) | 8am (ET) | 1pm (UK)
- Office Hours: Nathan
  Apr. 09, 2pm (PT) | 5pm (ET) | 10pm (UK)
- Office Hours: Nathan
  Apr. 09, 5pm (PT) | 8pm (ET) | 1am (UK)
- Office Hours: Jon Mattox
  Apr. 12, 1pm (PT) | 4pm (ET) | 9pm (UK)
- Weekly Beat Challenge: Nathan
  Apr. 13, 7am (PT) | 10am (ET) | 3pm (UK)
- Office Hours: Nathan
  Apr. 13, 9am (PT) | 12pm (ET) | 5pm (UK)
Learn more about Residency
Upcoming Courses
- Apr 19, 2026 Theory: Musician Basics
- Apr 22, 2026 Mixing: Effects, Synths & Tools
- Apr 27, 2026 DAW Core Skills
- Apr 27, 2026 FL Studio
- May 23, 2026 Logic Pro 1-Day Intensive
- Jun 10, 2026 Hardware & Recording Primer
- Jul 8, 2026 Hardware & Recording Primer
- Jul 12, 2026 DAW Core Skills
See All Courses
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